Tuesday, September 22, 2009
The Lesson
Saturday, September 5, 2009
Thomas Pynchon's Inherent Vice: A Review
Inherent Vice is a book about the sixties and how eerily it can resemble the America of today. Thomas Pynchon is known in american literature as a writer of complicated, long books, with even more complicated prose(before this book i had only read The Crying of Lot 49, his shortest book at 130 so pages that is still relatively a hard read). In this book we find that same quirky and elongated paragraphs, and the same sense of humor and general paranoia that I found in The Crying of Lot 49. Pynchon can make connections with most readers by writing about a beloved era, the 60's and 70's and that makes this perhaps an accesible book. Doc Sportello, the main character and PI of the story, lives in a constant cannabis-induced hazed that doesn't help at all when his ex-girlfriend Shasta asks him to help her find her millionaire boyfriend, from then on the story is full of crazy ass characters and lots of "groovy" talk, dig?
Allusions of every type (music, film, literary) are found sprinkled all over the book, (Rocio Durcal and Tom Jobim being the ones I felt more than pleased and surprised by)as well as obvious references to the american detective fiction tradition. Pynchon's take on the detective story is all his own, the plot still as hard to follow as most works of this kind(well theres a lot of weed in the book, so its understandably so)and having Doc solve problems by recollecting epic acid trip hallucinatory facts can be either awesome (to me) or very silly. The lengthy landscape descriptions can also be seen as a tribute to this venerable genre. But is the book good? Yes. Does the book has it's draggy parts? Yes, and thats it's only defect, because in its own way, the book illustrates perfectly the deception and dissapointment of those people who lived in the hippy era and suddenly are faced with the Manson murders, and even more, with the end of "free love" and all that that entails.
On a more personal view of this book, Doc as a character is incredibly easy to sympathize with. He smokes kools, he constantly smokes not shitty weed, but "righteous" weed, eats food all the time, is strangely romantic (though pynchon's sex scenes where nothing more that a beautiful set up and then the dissapointing "they started fucking" or "they fucked"). The dialogue is entertaining, but as a man of the 2000's it was hard for me to able to tell if the exaggerated sixties speak was realistic or not, nevertheless as I said, the dialogue was smart and funny.
So how does this book reflect the America of today? Paranoia, A more and more relaxed "moral" stance on drugs, promiscuity, and the reality of the internet (something that he touched upon towards the end of the book but in a very strong manner, by suggesting the use of technology to not divide, but unite humanity)are things that should resonate to anybody living in the USA of today. The "haze" that Doc is always in can be very easy to parallel with the perpetual "lost" status of man (for good or for worse). Though this points of reflexion come into mind through the reading of the book, the book never focuses on these, succesfully giving the book an "after the reading" depth that I thought wasn't there at first. Pynchon fascinates because though an old soul (72 says faithful wiki)he seems to be very much in touch with the world around him, and his encyclopaedic references show him to be indeed a well rounded man's man. Inherent Vice is the testament of a man who can still have fun writing a book and majestically shares this fun with his readers.
Friday, August 21, 2009
Inglorious Basterds: a review
I wasn't too excited about this movie after Tarantino's flop with "Deathproof". "Inglorious Basterds" proved me wrong and proved why even though Tarantino is just human and can fuck up, he can still make good movies and is perhaps still one of the most unique directors now a days. His firm grasp on entertaining and powerful scriptwriting and photography is displayed in a grand manner and by the gallons. The movie started with a black screen, the trademark Tarantino font used in Pulp Fiction, and a good song, and I knew right away that Tarantino wasnt going to dissapoint, in fact I might have been salivating (there's something to the opening credits in a Tarantino movie that is always so EPIC).
Quentin focused on his strengths for this film; fast action shoot-outs, humor in the midst of violence, amazing usage of music and dialogue as foreshadow, etc. The acting is superb, Brad Pitt, even though in my opinion a not very consistent actor, impresses everytime he is set in a relatively light-hearted character and he is actually funny and likable as Lt.Rain.
The plot miniutae is rather non-important (for the review's sake, I dont want to give the plot's details away, plus if the trailer is seen it gives a pretty good idea of what it is) for its really a typical Tarantino plot, except this time its actually in chronological order. Though a simple story of lets try to kill as many nazis as we can is at hand (the theme is revenge, again nothing new with Tarantino, but something he can do well),the pace of the story and the obvious self-consciousness of how ridiculous the movie gets adds an ironic, comical feel to it. The audience, or at least the audience familiar with his work should notice this ironic feel to the movie, and that Tarantino finally doesn't take himself as seriously as he used to. Maybe thats why Death Proof wasnt that good, because in that movie he is trying to make a good movie with less than half the amount of time his movies usually last. On the other hand, "Basterds" finds a mature Tarantino that knows has nothing more to prove as a director, and it shows in the light-hearted comical scenes that he achieves with the help of the excellent acting. All the actors, no matter how minimal the role was incredibly well cast, but there should be a special mention to Christoph Waltz, the guy that plays the German Nazi detective more than well.
Friday, August 14, 2009
New song "Relaxsation"
Also coming soon, a review of Thomas Pynchon's new book, Inherent Vice and of Henry Miller's "Tropic of Cancer".
Monday, July 27, 2009
Monday, July 20, 2009
Three songs of Summer.
I've written this three songs during the summer and I like the fact that I dont sing in two of them. Very much shamelessly inspired by Ben Chasny (Six Organs of Admittance). I hope you like them.
You Are in It Forever- Guitars played by me and Chris Bowcutt.